Brady Noon, Jacob Tremblay and Keith L. Williams in “Good Boys.” Universal/TNS

Gene Stupnitsky and Lee Eisenberg’s raucous tweenage comedy “Good Boys” dives into the sordid, silly world of sex, drugs and middle school. It’s a film about a specific time, that oh-so-short moment when the world of adults permeates a kid’s consciousness, ill-equipped to process or understand any of it, try as they might. Stupnitsky and Eisenberg have deftly mined this space for laughs, and the seasoned comedy vets (“The Office,” “Year One,” “Bad Teacher”) deliver a joke-dense and highly original coming-of-age tale that’s sweet and sour in all the best ways.

Bean Bag Boys Max (Jacob Tremblay), Thor (Brady Noon) and Lucas (Keith L. Williams) are at the age where their vocabulary has far outpaced their growth spurts. The trio of longtime best friends swears up a blue streak while wildly misinterpreting the sex terminology they use, and they’re still deeply programmed by D.A.R.E. and other kid-friendly anti-drug campaigns. “Drugs ruin lives and communities,” Max parrots in a panic when they discover the purse they’ve snatched from his teenage neighbor Hannah (Molly Gordon) contains party drugs. Yet Max is determined to go to his first “kissing party,” where he hopes to smooch his crush, Brixlee (Millie Davis).

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